Grant Green
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Recording prolifically and almost exclusively for Blue Note Records (as both leader and sideman) Green performed well in hard bop, soul jazz, bebop and latin-tinged settings throughout his career. Critics Michael Erlewine and Ron Wynn write, “A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar … Green’s playing is immediately recognizable — perhaps more than any other guitarist. ” Critic Dave Hunter described his sound as “lithe, loose, slightly bluesy and righteously groovy”. He often performed in an organ trio, a small group with an organ and drummer.
He first performed in a professional setting at the age of 12. His influences were Charlie Christian, Charlie Parker, Ike Quebec, Lester Young, Jimmy Raney, Jimmy Smith and Miles Davis, he first played boogie-woogie before moving on to jazz. His first recordings in St. Louis were with tenor saxophonist Jimmy Forrest for the Delmark label. The drummer in the band was Elvin Jones, later the powerhouse behind John Coltrane. Grant recorded with Elvin again in the early Sixties. Lou Donaldson discovered Grant playing in a bar in St. Louis. After touring together with Donaldson, Grant arrived in New York around 1959-60.
Lou Donaldson introduced Grant to Alfred Lion of Blue Note Records.
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Idle Moments
Grant Green
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Blue Breakbeats
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Matador
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The Latin Bit
Grant Green
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brianshazaaam wrote about Grant Green in ABCs of 60s Jazz. Tuesday evening
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astrodomini tagged Grant Green with hard bop and jazz. Monday afternoon
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ZootX tagged Grant Green with jazz guitar and jazz. Friday afternoon
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