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Gerry Mulligan

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Among the most famous and jazz baritone saxophonists of all time, Gerry Mulligan was a giant. A flexible soloist who was always ready to jam with anyone from Dixielanders to the most advanced boppers, Mulligan brought a somewhat revolutionary light sound to his potentially awkward and brutal horn and played with the speed and dexterity of an altoist. He won the Down Beat magazine reader’s poll for outstanding baritone saxophonist for 42 consecutive years (1953-1995).

Gerry Mulligan was born April 6th, 1927 in New York. He started on the piano before learning clarinet and the various saxophones. His initial reputation was as an arranger. In 1944 he wrote charts for Johnny Warrington’s radio band and soon was making contributions to the books of Tommy Tucker and George Paxton. He moved to New York in 1946 and joined Gene Krupa’s Orchestra as a staff arranger; his most notable chart was “Disc Jockey Jump.” The rare times he played with Krupa’s band was on alto and the same situation existed when he was with Claude Thornhill in 1948.

Gerry Mulligan’s first notable recorded work on baritone was with Miles Davis’ Birth of the Cool nonet (1948-50) but once again his arrangements (“Godchild,” “Darn That Dream” and three of his originals “Jeru,” “Rocker” and “Venus de Milo”) were more significant than his short solos. Mulligan spent much of 1949 writing for Elliot Lawrence’s orchestra and playing anonymously in the saxophone section. It was not until 1951 that he began to get a bit of attention for his work on baritone.
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My Funny Valentine full track
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Prelude In E Minor full track
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Line For Lyons full track
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Jeru full track
142
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Bernie's Tune full track
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Godchild full track
105
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The Lady Is A Tramp full track
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Get Out of Town full track
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Tell Me When full track
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Makin' Whoopee full track
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Walkin' Shoes full track
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Festive Minor full track
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Love Me Or Leave Me full track
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