The composer Gerard Schurmann was born of Dutch parents in the former Dutch East Indies. He left his home at an early age and grew up in England.
At the age of 21, Schurmann began to combine his concert career as a pianist with the position of acting Cultural Attaché at the Netherlands Embassy in London. This continued for several years until Eduard van Beinum, the conductor of the Concertgebouw Orchestra in Amsterdam, helped him attain the position of resident orchestral conductor at the Dutch Radio in Hilversum.Gerard Schurmann conducting. Copyright © Clive Barda At the end of his contract there, he returned to England determined to devote his life mainly to composition, henceforth limiting his conducting activities to guest appearances.
In 1980, he was invited by the U.S. State Department to tour orchestras and universities in the United States, a five months visit also partly sponsored by the British Council. In 1981, Schurmann moved to the USA, where he settled in the Hollywood Hills, California. He continues to receive commissions for concert works and was at one time associated with the Pittsburgh Symphony Orchestra through the conductor Lorin Maazel who introduced his music, first with the Cleveland Orchestra and subsequently in Pittsburgh.
His music is published by Novello & Co. Ltd., and his compositions have been recorded on CBS, Nonesuch, EMI, Chandos, Virgin Classics, Albany, Pye, Silva Classics, GDI, United Artists, and Cloud Nine.
"It is impossible for a composer to bridge the widening gap between sophisticated creative processes of the day and the listener with integrity: the result of the most fervent desire to communicate can be put to the test only within oneself, measured against the yardstick of personal experience. Any deliberate attempt to work on the speculative basis of current market and fashion values is inevitably doomed, because such contrivances, being essentially self-deluding, remove the basic premise of the creative function. On a different level, it is a sobering thought that none of us will ever know whether we have made the right artistic decisions, since this will be determined long after we are gone. I believe in communication - but there must be individuality. In the chaos in which we live, a strong personal statement is in the end the only thing of any interest."
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