Gatekeeper

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There are more than one artist with the name Gatekeeper.

1) The macabre electronic duo Gatekeeper hails from Chicago. http://www.myspace.com/iiigatekeeperiii

2) Gatekeeper aka Will Scott Cree is an experimental Dubstep producer/DJ who forms part of Bristol’s current crop of forward thinking electronic artists. His sound is deep, melodic and atmospheric, with a strong emphasis on originality and bass and drums that groove.

Gatekeeper had his first 12”, titled “Tomb”, released on the now legendary Skull Disco label, which was co-written with producer/DJ Appleblim. Since then he has gone on to release a solo 12” for Peverelist’s Punch Drunk label, had a track featured on Soul Jazz compilation Steppas’ Delight and a collaboration with Komonazmuk titled Cheeky Herbert featured on Tempa’s Dubstep Allstars 6, mixed by Appleblim. Will was also one of the 12 producers whose music was featured on Mary Anne Hobbs’ “Bristol: Rise Up” special on Radio One.

Other releases include Hades/Tomb VIP on Immerse Recordings and Which Way/Truth In the Booth (featuring Grilza) on M4 Recordings. Blip/Vansan(Gatekeeper remix) saw a release on ‘If symptoms Persist’ with the A-side featuring on Surgeon’s Fabric mix. Recently Will’s infamous Ignite(feat. Dread MC & Grilza)/Raw Tones, backed with remixes from Statix and Asa & Koan Sound, finally saw the light of day on Bristol’s finest, Screwloose Records. Remixes include Wedge’s “Overfiend” and Dubkasm’s “Respek-I-Spek” (feat. Levi Roots & Afrikan Simba) with Appleblim and also Asa & Koan Sound’s ‘Kaneda’
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  • fredphelps

    it's music, asshole.

    12 May 3:06pm Reply

  • kittieprettie

    so is this darkwave or what

    1 Apr 4:35pm Reply

  • florabakteryjna

    They should make a soundtrack for new Halo or Unreal Tournament.

    19 Mar 4:09pm Reply

  • OniDesu

    Chains is GODLIKE, one of the best dark tracks EVER

    18 Jan 11:56pm Reply

  • bloodmaw

    Giza>>>>>>>>>>>>>>>>>Exo

    10 Dec 2012 Reply

  • mac_crumble

    Y U NO PLAY IN LONDON

    22 Nov 2012 Reply

  • DM09

    EXO RUINED GATEKEEPER

    2 Nov 2012 Reply

  • Euphoric_Corpse

    Holy crap

    2 Nov 2012 Reply

  • pink_gin

    Giza EP is the BEST industrial meets electro!

    15 Oct 2012 Reply

  • poopturtle

    newest one is my favorite. Previous releases were awesome but also sort of in the witch family and thats played out as hell. New stuff is a welcomed departure from that and the pacing and flow seems less amateurish as well.

    4 Sep 2012 Reply

  • YaLexx

    one of the the most amazing industrial bands of last 2-3 years, honestly

    4 Sep 2012 Reply

  • avantlesbian

    whateva whateva they have a fucking "game" mate

    14 Aug 2012 Reply

  • dubt33

    Maybe its just me, but i really enjoy Exo, its refreshing and first few tracks touch up on few stereotypes of contemporary electronic music but in a very unconventional way that Gatekeeper is still developing. It might not be there yet but certainly looking forward to their stuff in future.

    27 Jul 2012 Reply

  • Buttsnake

    I have to admit, it is a let down.

    27 Jul 2012 Reply

  • timothybarnes

    In my opinion, the new album isn't bad. Not as good as the older releases either, though.

    26 Jul 2012 Reply

  • Ldeken

    Raises interesting points about how 80s, 50s, 30s, etc. revival is widely accepted, but 90s is almost always either created through a lens of kitsch, or later interpreted through the same. But WHY? Is there something inherent about it, is it our lack of separation, what?

    25 Jul 2012 Reply

  • electricwookie

    I think Exo's music doesn't do the cover art justice.

    21 Jul 2012 Reply

  • clubanddeform

    the fuck? which gatekeeper is which? i'm listening to the one that released Giza. are they the "macabre elctronic duo"? lol. probably not the one tagged as dubstep hahaha

    18 Jul 2012 Reply

  • POTDL

    encarta is so good...the whole album sounds like the soundtrack to some cyberpunk anime or unreal tournament

    4 Jul 2012 Reply

  • scomatsho

    I think Exo's cover art doesn't do the music justice.

    21 Jun 2012 Reply
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