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Freddie Hubbard
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Freddie Hubbard (Frederick Dewayne Hubbard, Indianapolis, Indiana, April 7, 1938 - Sherman Oaks, California, December 29, 2008) was an American jazz trumpeter.
Hubbard was born in Indianapolis, Indiana, and associated in his youth with various musicians in Indianapolis, including Wes Montgomery and Montgomery’s brothers. Chet Baker was an early influence, although Hubbard soon aligned himself with the approach of Clifford Brown (and his forebears: Fats Navarro and Dizzy Gillespie).
Hubbard’s jazz career began in earnest after moving to New York City in 1958. While there, he worked with Sonny Rollins, Slide Hampton, J. J. Johnson, Philly Joe Jones, Oliver Nelson, and Quincy Jones, among others. He gained attention while playing with the seminal hard bop ensemble Art Blakey & The Jazz Messengers, appearing on such albums as Mosaic, Buhaina’s Delight, and Free For All. He left the Messengers in 1964 to lead his own groups and from that time maintained a high profile as a bandleader or featured as a special guest, but never merely a sideman.
Along with two other trumpeters also born in 1938, Lee Morgan (d. 1971) and Booker Little (d. 1961), Hubbard exerted a strong force on the direction of 1960s jazz. He recorded extensively for Blue Note Records: eight albums as a bandleader, and twenty-eight as a sideman. [1] Most of these recordings are regarded as classics. Hubbard appeared on a few early avant-garde landmarks (Ornette Coleman’s Free Jazz, Eric Dolphy’s Out to Lunch and John Coltrane’s Ascension), but Hubbard never fully embraced free jazz, though it did influence his playing.
Hubbard was born in Indianapolis, Indiana, and associated in his youth with various musicians in Indianapolis, including Wes Montgomery and Montgomery’s brothers. Chet Baker was an early influence, although Hubbard soon aligned himself with the approach of Clifford Brown (and his forebears: Fats Navarro and Dizzy Gillespie).
Hubbard’s jazz career began in earnest after moving to New York City in 1958. While there, he worked with Sonny Rollins, Slide Hampton, J. J. Johnson, Philly Joe Jones, Oliver Nelson, and Quincy Jones, among others. He gained attention while playing with the seminal hard bop ensemble Art Blakey & The Jazz Messengers, appearing on such albums as Mosaic, Buhaina’s Delight, and Free For All. He left the Messengers in 1964 to lead his own groups and from that time maintained a high profile as a bandleader or featured as a special guest, but never merely a sideman.
Along with two other trumpeters also born in 1938, Lee Morgan (d. 1971) and Booker Little (d. 1961), Hubbard exerted a strong force on the direction of 1960s jazz. He recorded extensively for Blue Note Records: eight albums as a bandleader, and twenty-eight as a sideman. [1] Most of these recordings are regarded as classics. Hubbard appeared on a few early avant-garde landmarks (Ornette Coleman’s Free Jazz, Eric Dolphy’s Out to Lunch and John Coltrane’s Ascension), but Hubbard never fully embraced free jazz, though it did influence his playing.
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Red Clay
Freddie Hubbard
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Open Sesame
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Straight Life
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Ready for Freddie
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Suite Sioux
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Delphia
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Little Sunflower
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Straight Life
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Weaver of Dreams
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Cold Turkey
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Mr. Clean
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Crisis
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Here's That Rainy Day
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Shoutbox
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luanno wrote:
Absolutely my favorite artist!!! First Light is flight!
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speshclub7 wrote:
Red Clay all the way Baby!!
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kolory_raju wrote:
Ready for Freddie.....GREAT!
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SixShooterSam wrote:
His album "Sing me a Song of Songmy" with Ilhan Mimaroglu is out standing.
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80sfever wrote:
"All Or Nothing At All" is so damn underplayed.
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FiftyGrosz wrote:
Trumpet! Trumpet! WoW! It's so much soul on his records... Very expressive and warmful vibes. Gonna check each one... Peace.
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manueltrump wrote:
Little Sunflower love that song; rest in peace
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AngelsJazztime wrote:
Nice Pace.
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Yannomatik wrote:
The New York touch is there. protect the jazz style.
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JimFraeErskine wrote:
Sheer genius.
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MirkoFait wrote:
I like his music :)
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P-er wrote:
Rest in Peace, Freddie.
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naxapinu wrote:
What a joy to have had him here!
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avivagabriel wrote:
Delphia is an incredibly expressive song. I'm not too fond of the electric organ stuff - sounds so 1960s - but Hubbard's trumpet work is so plastic and rich, tonally.
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SirAlecHendrix wrote:
R.I.P. freddie
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RyanJones wrote:
RIP
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funkhunter wrote:
I'm so thankful for all that great music he left! What a georgious appearance on this little planet he was.
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paulgray wrote:
what a blast... RIP Freddie
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adamac wrote:
We are missing a genius
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pannarecords wrote:
Rest In Peace.
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Recent Activity
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