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Eleven-headed creative hydra Franui never had to try too hard to be different. The titles of their albums are cool and contemporary, their sujets grave and severe, their presentation deep and direct. Old age, death and funerals especially have turned into a Leitmotif for the Austrians and “morbid” is a recurring adjective used by journalists in trying to characterise their sound. Accordingly, their second abum “Frische Ware” carried the subtitle “Musik für Totengräber” (“Music for Gravediggers”), while follow-up “Ende vom Lied” (“End of Song”) researched the hidden links between dancefloors and graveyards. Even their most recent full-length “Brahms Volkslieder” (as always released on their much respected houselabel col legno) presents a collection of songs about loss, mad love and sadness which the famous composer finished at the end of his life.

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