Fiero
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Fiero – Creaturas De La Noche - Original Mix
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Biography
.:FIERO’s journey to Musician took many paths. Early on he grew up messing around on Casio keyboards & naturally came up with his own symphonies. He took up keyboard lessons for a short while at a local school. In his early teen years Rock music became a big part of his life and naturally progressed into listening to Heavy Metal & the NY Hardcore Scene. FIERO started playing guitar in his last years of high school and was taught by his close friends and father. Through the years after there were many band forming opportunities and ideas but nothing was set forth into motion.
FIERO’s instinct was to go solo and create music himself with all the ideas he had for the world to hear. At about the same time Trance music was first introduced to him. He remembers hearing Oakenfold’s mix compilation entitled Transport 1 and instantly thinking, “This is some of the best music in the world right here “.
FIERO Started going to clubs in NYC, Flushing & Long Island with his friends that were into dance music. Unlike some of his friends who had their own DJ equipment FIERO wondered how dance music was made and wanted to start making his own trance songs. He purchased a Techno software tracker for his computer and started to arrange and build his own songs, learning the structures of dance music. Later on He created his first demos using this software. The only problem with tracking was “you were using tiny loops that were pre-made so you were not entirely free to express your musical ideas from the bottom up”.
FIERO Started going to clubs in NYC, Flushing & Long Island with his friends that were into dance music. Unlike some of his friends who had their own DJ equipment FIERO wondered how dance music was made and wanted to start making his own trance songs. He purchased a Techno software tracker for his computer and started to arrange and build his own songs, learning the structures of dance music. Later on He created his first demos using this software. The only problem with tracking was “you were using tiny loops that were pre-made so you were not entirely free to express your musical ideas from the bottom up”.
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