"Blending elements of modern classical, ambient, and minimalism into a style that evokes the sounds of Arvo Pärt by way of Boards of Canada. The compositions feature a microscopic focus on texture that emphasizes the relationship between the human organization of noise and sound. Deriving inspiration from the musique concrete movement of 1960's France, the compositions forgo conventional classical aesthetics in favor of haunting, strangely familiar sounds."
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