Eivind Aarset
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Eivind Aarset – Changing Waltz
Biography
Eivind Aarset is a Norwegian guitarist whose style is often associated with that of nu jazz as his performing, improvising and albums feature a strong 21st century electronic influence. He is considered to be one of the unique re-interpretations of what the role and sound of the electric guitarist can be.
Like many guitarists of his generation Eivind Aarset (born 1961 in Drøbak, Norway) was first influenced by rock players, Jimi Hendrix above all. By the mid-1970s electric jazz caught his attention, especially Miles Davis’s “Agharta” album with the fiercely-distorted lead guitar of Pete Cosey raging around Miles electric trumpet. Aarset was also listening to ECM’s early albums, especially those of Terje Rypdal and Jan Garbarek.
After a period on the road as a heavy rock guitarist, Aarset worked prolifically as a session player, appearing on more than 150 albums in this capacity for both Norwegian and international productions. It was on the session circuit that he first encountered Bugge Wesseltoft and Nils Petter Molvær. In 1997, Molvær and Aarset joined Marilyn Mazur’s band, and recorded “Small Labyrinths” for ECM.
The bigger news that year, however, was the release of “Khmer”, Molvær’s genre-changing album, which featured plenty of Eivind’s exploratory guitar, now weaving its way between free-running samples, programmed beats and turntable scratching. Inside the Molvær band, Aarset had plenty of freedom to develop his textural guitar playing, further showcased on his own discs on Wesseltoft’s Jazzland label including “Électronique Noir”, “Connected”, “Sonic Codex” and “Live Extracts”.
Like many guitarists of his generation Eivind Aarset (born 1961 in Drøbak, Norway) was first influenced by rock players, Jimi Hendrix above all. By the mid-1970s electric jazz caught his attention, especially Miles Davis’s “Agharta” album with the fiercely-distorted lead guitar of Pete Cosey raging around Miles electric trumpet. Aarset was also listening to ECM’s early albums, especially those of Terje Rypdal and Jan Garbarek.
After a period on the road as a heavy rock guitarist, Aarset worked prolifically as a session player, appearing on more than 150 albums in this capacity for both Norwegian and international productions. It was on the session circuit that he first encountered Bugge Wesseltoft and Nils Petter Molvær. In 1997, Molvær and Aarset joined Marilyn Mazur’s band, and recorded “Small Labyrinths” for ECM.
The bigger news that year, however, was the release of “Khmer”, Molvær’s genre-changing album, which featured plenty of Eivind’s exploratory guitar, now weaving its way between free-running samples, programmed beats and turntable scratching. Inside the Molvær band, Aarset had plenty of freedom to develop his textural guitar playing, further showcased on his own discs on Wesseltoft’s Jazzland label including “Électronique Noir”, “Connected”, “Sonic Codex” and “Live Extracts”.
Top Tracks
Top Albums
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Sonic Codex
16,753 listeners9 tracks
Released:
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Connected
12,611 listeners10 tracks
Released:
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Light Extracts
16,227 listeners8 tracks
Released:
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Electronique Noire
6,976 listeners9 tracks
Released:
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42,876listeners all time
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