He was born on New Year's Day in Whitharrel, Texas, near Little field, and not in Amarillo, as is alleged by some sources, although Earl did move there later in his youth. While touring with Bob Wills at the age of twelve.This is where he formed a long running relationship with Tommy Allsup. He appeared on Cal Farley's radio show in Amarillo before his first studio session (April 2 1958), which was probably backed by the Big Beats and produced by Norman Petty. "Whatcha Gonna Do"/"I Am the Man" were released on Dot 15756, credited to Earl Henry, as was the follow-up, "My Suzanne"/"Believe A Traveler" (Dot 15875). In July 1958 Earl fronted Tommy Allsup's band in a supporting role for a Buddy Holly tour. Four months later he replaced Buddy in the Crickets and sang lead on their (three) 1959 recording sessions, resulting in the LP "In Style With the Crickets" and a few singles, classics like "I Fought the Law","When You Ask About Love" and "Love's Made A Fool Of You".
In 1959 or 1960 Earl moved to Nashville and would record all his further output there. While still with the Crickets (which he left in February 1960 after a disagreement), he recorded with a group called The Omegas, who had several singles released on Decca in 1959-60.And also he and Bob Montgomery were "The Holidays". These recordings are quite different than the Dot recordings and feature a saxophone (Boots Randolph, undoubtedly), but hold up well, thanks to the professional accompaniment of the Nashville A-team. Among the Omegas singles is the original version of "So How Come (No One Loves Me)", which was later recorded by the Everly Brothers on WB. Also quite good were the two singles that Earl made for Warner Bros in 1961, "Look For Me" (with a prominent role for Floyd Cramer's piano) and "Superstitious". Both of these were also issued in the UK and credited to "Earl Sink". Next came two singles for Capitol (1962-63), the best of which was "Looking For Love" (Capitol 4985, CL 15310 in the UK), though the Kris Jensen version of a few months later was even better.
Earl had a country background (he had played drums with Ferlin Husky's band, the Hushpuppies, among others) and switched to country after being signed by Hickory Records in 1963.Earl played guitar or sang harmony on almost all the Hickory Artist out of Nashville due to his signing a writers deal with Acuff Rose. Among his singles for that label (initially credited to "Sinx Mitchell") was a pleasant revival of John D. Loudermilk's "Language Of Love" (Hickory 1315, 1965). In 1966, Earl played the lead role (as Earl "Snake" Richards) in the country music film "That Tennessee Beat", which also featured Merle Travis and (as themselves) Boots Randolph, Pete Drake and the Statler Brothers and Minne Pearl.. Two more film roles prior to that were, "The Girl From Tobacco Row" (1966) and "White Lightnin' Road" (1967). These were lower-budget productions.But were large at the Drive -In Theaters. In March 1968 Bob Montgomery signed Earl to United Artists, the label where he would finally find chart success (as Earl Richards), albeit only on the country charts. His first UA single was "House Of Blue Lights" But first a strong double-sider, "Maggie"/"Shake 'em Up And Let 'em Roll" (UA 50462). The latter song was written by Jerry Leiber and Mike Stroller and was recorded by several artists, including Kenny Ball in the UK. Jerry Leiber's own version from 1968 (with the Coasters, intended as a demo) was finally released in 1992 on Rhino's "50 Coastin' Classics" 2-CD by the Coasters. The second single on UA was a revival of "House Of Blue Lights", which peaked at # 39 country in October 1969. "Sunshine" was a smaller country hit but was the first music video made on a movie-olla for the awards show in Nashville and was written by fellow writer and Acuff Rose pal Mickey Newburry.One year later. In 1972 he was appointed manager of the Ace of Hearts label (not to be confused with the UK label of the same name) and bought the label with Gene Kennedy the following year. On Ace of Hearts Earl had four more entries in the country charts between 1973 and 1978, the most successful being "Margie, Who's Watching the Baby" (# 23, 1973). In 1976 Sinks launched the short-lived R.P.A label, for which he rerecorded "House Of Blue Lights" and an LP with that title. Since then Earl has worked as an independent producer with artists of the stature of John Anderson,Bobby Lewis,Wild Bill Emerson,Sharon Vaughn, but ranking as the top Harmony singer for artist such as Mel Tillis for 35 years.As well as Mel Street,Del Reeves,Merl Haggard, Charlie Pride and played guitar on everyone from Perry Como, Burl Ives,The New Beats, Everly Brothers,Brenda Lee,Roy Orbison,Patsy Cline,etc.Earl started working and running HME Records for John Hammond during the mid 1980's and before moving back to Texas for some 10 years in the 1990's.Mr.Sinks aka Earl Richards would work with a group known as "The Remingtons" made up of Jimmy Griffin from the popular 1970's and 1980's group "Bread" along side Rick Yancey and Richard Minagra of the one hit wonder" Rings" by Cynarron. is now retired for the most part except occasional advisement to his son B.Earl Sinks who has taken the publishing catalogs and Earl's massive 300 artist masters catalog.