Dutch
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Biography
There are multiple artists the use the name Dutch. One is the duo of former Jedi Mind Tricks fame and the other is a rapper from Detroit, Michigan.
[1] Dutch is comprised of Jedi Mind Tricks’ Stoupe the Enemy of Mankind and sensational vocalist/songwriter Liz Fullerton. The unlikely duo first collaborated on the track “Razorblade Salvation” on JMT’s 2006 LP Servants in Heaven, Kings in Hell and again on the track “Death Messiah” from JMT’s 2008 LP A History of Violence. The union of Liz’s deeply sympathetic vocal stylings and Stoupe’s trademark visceral JMT beats made both songs standout cuts from those records as both remain favorites with fans and critics alike.
Now, set as a two-piece outfit (with production and songwriting help from longtime Jedi Mind Tricks collaborator Scott Stallone) Dutch is the full realization of the artistic accomplishment at which their previous collaborations only hinted. After years of critical and commercial success as the enigmatic production guru behind Jedi Mind Tricks, Stoupe wanted to make a different kind of record; something that kept the same raw aesthetic he pioneered with JMT while allowing him to branch out as both a producer and songwriter. Liz’s timely and fortuitous entry into the group’s life was a destiny that seemed undeniable, if not a little bit lucky.
[1] Dutch is comprised of Jedi Mind Tricks’ Stoupe the Enemy of Mankind and sensational vocalist/songwriter Liz Fullerton. The unlikely duo first collaborated on the track “Razorblade Salvation” on JMT’s 2006 LP Servants in Heaven, Kings in Hell and again on the track “Death Messiah” from JMT’s 2008 LP A History of Violence. The union of Liz’s deeply sympathetic vocal stylings and Stoupe’s trademark visceral JMT beats made both songs standout cuts from those records as both remain favorites with fans and critics alike.
Now, set as a two-piece outfit (with production and songwriting help from longtime Jedi Mind Tricks collaborator Scott Stallone) Dutch is the full realization of the artistic accomplishment at which their previous collaborations only hinted. After years of critical and commercial success as the enigmatic production guru behind Jedi Mind Tricks, Stoupe wanted to make a different kind of record; something that kept the same raw aesthetic he pioneered with JMT while allowing him to branch out as both a producer and songwriter. Liz’s timely and fortuitous entry into the group’s life was a destiny that seemed undeniable, if not a little bit lucky.
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