Driver Drive Faster
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Driver Drive Faster are a new band from Manchester, but you wouldn’t necessarily tell: this masterful debut album presents a rich, timeworn sound that exists somewhere between Americana and spectral indie rock. It’s crafted song-writing at its best, hinging on stirring chord sequences and moments of fragile beauty. “A review described us as ‘misfits’,” says singer/guitarist Dylan Giles. “We took it as a compliment.”
Named Open House and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. The result is a lush, layered record that slowly draws you into its world. Think Mercury Rev’s Deserter’s Songs for a new generation. “We spent around nine months editing, overdubbing, mixing and tweaking every little detail until we couldn’t obsess any more,” says Dylan. “It was all self funded through working day jobs so we had no deadline, nor any expectations outside of the band’s own ambitions and ideas.”
Before the album, the single It’s All Over It’s Everywhere is released in May. A fine slice of harmony-laden pop, it’s a song about the public’s preoccupation with salacious gossip. “It started with the obsession there is of unearthing things in people’s private lives and past and moved on to the general urge to gossip and spread intrigue,” says Dylan.
Named Open House and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. The result is a lush, layered record that slowly draws you into its world. Think Mercury Rev’s Deserter’s Songs for a new generation. “We spent around nine months editing, overdubbing, mixing and tweaking every little detail until we couldn’t obsess any more,” says Dylan. “It was all self funded through working day jobs so we had no deadline, nor any expectations outside of the band’s own ambitions and ideas.”
Before the album, the single It’s All Over It’s Everywhere is released in May. A fine slice of harmony-laden pop, it’s a song about the public’s preoccupation with salacious gossip. “It started with the obsession there is of unearthing things in people’s private lives and past and moved on to the general urge to gossip and spread intrigue,” says Dylan.
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