Dragonfly Lingo

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Rouen, France (2009 – present)

Dragonfly Lingo is an act, started in 2009 by the music and film sound engineer, sound producer, and musician Mitia Wexler in Rouen, France.

The project started with an idea to take the pieces of dialogue from film and pair it to the music that each excerpt inspired. With time, the Dragonfly Lingo moniker expanded beyond one concept album paying homage to the silver screen gems.

Dragonfly Lingo’s music is distinctive by its cinematic feel, elaborate soundscapes and a seamless blend of the electronic and organic instruments, and field recordings.

The first release, Morningside (2010), is drawn from the following LP Offscreen. Featuring remixes of the track inspired by Phantasm cult horror series by artists of styles spanning from of Virgo Intacta and of Interzone Inc, to of Ivan Spell, garage of SoulSeekah, and experiments by AKA, the EP set the tone to Dragonfly Lingo’s ambition to go beyond a particular niche. Morningside was released under Creative Commons license and is available for free download from Dragonfly Lingo’s website at http://www.dragonflylingo.com.

Flux (2011) came about as a collaboration with the visual artist Leroy Roper. The three pieces of the EP, revolving around the life and metamorphosis, are each accompanied by a flip-book animation-type video featuring photo sessions inspired by the music.
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  • MrNOx wrote:
    November 2011
    Yeah man, I discover your stuffs today thanks Grooveshark. I'm glad to find you on Lasf.fm too. Really nice work, I'm getting into your sounds in 1 second, every nice then go perfectly well. The vortex really reminds me the musics of John Carpenter a little bit more deep I think, thanks to your clear and proper sounds. Another good point, your good progressive way to tell your songs. Keep up the good work.

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  • GastonIvan wrote:
    September 2010
    I really like Dragonfly lingo, I'm glad I found it.

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Do It Yourself

30 Jan 2012 | from www.dragonflylingo.com

The rise of the new DIY is upon us. This DIY no longer explicitly implies shabby sound, poor production and execution. The technology made many stages of recording easily available and the …

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