- Label
-
Century Media Records Ltd
- Release date
- 22 May 2009
- Running length
- 13 tracks
- Running time
- 74:52
Tracklist
| Track | Duration | Listeners | ||||
| 1 | A Monday | 2:23 | 20,064 | |||
| 2 | Coast | 5:27 | 20,587 | |||
| 3 | Disruptr | 7:27 | 18,979 | |||
| 4 | Gato | 5:04 | 18,049 | |||
| 5 | Terminal | 7:35 | 17,860 | |||
| 6 | Heaven Send | 8:54 | 16,834 | |||
| 7 | Ain't Never Gonna Win | 5:09 | 2,546 | |||
| 8 | Winter | 5:57 | 16,202 | |||
| 9 | Trainfire | 7:36 | 15,869 | |||
| 10 | Lady Hellen | 6:05 | 867 | |||
| 11 | Ki | 7:10 | 15,615 | |||
| 12 | Quiet Riot | 3:11 | 14,836 | |||
| 13 | Deamon League | 2:54 | 743 |
About this album
Comments Devin Townsend: “Ki” is the first in a series of four albums under the moniker “Devin Townsend Project”. Each album is essentially a different band or collection of session musicians playing my music. They were chosen based on what the theme of the album is and the vibe that the album is trying to project. The album ‘Ki’ is very specific in this quartet of albums in that it controls its anger throughout, barring one song — ‘Heaven Send’ — and really is an exercise in having little to prove.”
Devin adds, “‘Ki’ is a subtle, severe album. A challenge in some ways. As the ‘intro’ to the story (the story being the four records) it needs to set the stage. The point to the music is that the whisper is louder than the roar in many ways. ‘Ki’ is (on the surface) quiet and unassuming. Whenever it begins to lose its temper, it stops. It does not let it go, it is avoiding that temptation, as that sort of anger is really gratifying but ultimately just leaves me unhappy. ‘Ki’ is about control, and although it is not an overtly ‘heavy’ album, it is heavy thematically. On these four records, it starts with ‘Ki’, which is essentially a cross section of all the albums, but the idea is that it is not here to impose itself. It just does it’s thing. Like a little a.m radio playing in the corner.
“Many folks have been waiting to see what I do next after SYL and ‘Ziltoid’, so after careful consideration, I wanted the first record to be quiet and subtle, however fear not chaos fans… the next two records in the quartet are progressively heavier, and the third album, ‘Deconstruction’, is the heaviest music I’ve ever created.
Devin adds, “‘Ki’ is a subtle, severe album. A challenge in some ways. As the ‘intro’ to the story (the story being the four records) it needs to set the stage. The point to the music is that the whisper is louder than the roar in many ways. ‘Ki’ is (on the surface) quiet and unassuming. Whenever it begins to lose its temper, it stops. It does not let it go, it is avoiding that temptation, as that sort of anger is really gratifying but ultimately just leaves me unhappy. ‘Ki’ is about control, and although it is not an overtly ‘heavy’ album, it is heavy thematically. On these four records, it starts with ‘Ki’, which is essentially a cross section of all the albums, but the idea is that it is not here to impose itself. It just does it’s thing. Like a little a.m radio playing in the corner.
“Many folks have been waiting to see what I do next after SYL and ‘Ziltoid’, so after careful consideration, I wanted the first record to be quiet and subtle, however fear not chaos fans… the next two records in the quartet are progressively heavier, and the third album, ‘Deconstruction’, is the heaviest music I’ve ever created.
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