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1) Deca makes use of an experimental style as a doorway to a stylistic everchanging evolution and not as a goal in itself. Great inventor of oneiric charms, he was at first inspired by the cosmic school and later he created his personal alchemy of tradition and innovation, blending natural and synthetic sounds. He has found inspiration in different musical genres but always remaining elusively versatile, so as not to be easily identified in one particular style.

He is an eclectic performer, his music ranges from pure electronic to a minimalist pianist-oriented style, but he doesn’t like to follow trends, he rather changes continuously following his own path and tries to avoid the mainstream. A path which began in predictable ways (descriptive music, techno-pop) and then led him to compose the more complex and cryptic, obscure concept-albums he has since produced. Famous music critics and musicians appreciate some Deca’s works as important chapters of electronic sound evolution, putting titles as “Simbionte” inside the gotha of contemporary avantgarde artists.
One of his recognized peculiarities is a great mastery of the sound: in his compositions he creates and works, almost with a manic care, on the tones and he often ends up with embryonic ideas for other future albums. He often has been defined as a sound alchemist.


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