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David Ullman

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DOG DAYS, the much-anticipated first full-length album from Northeast Ohio singer/songwriter David Ullman, finally reached an eager audience in February 2008. Most often cited for his poignant use of vocal dynamics and intimate portraits of love lost and (occasionally) found, Ullman delivered a debut that FREE TIMES music editor Jeff Niesel calls “exquisitely beautiful” and COOL CLEVELAND’S Peter Chakerian describes as “deep, dark and intensely rich.”

The 29-year-old Clevelander’s initial creative outlet was filmmaking, though pre-adolescent re-makes of biopics like LA BAMBA and THE BUDDY HOLLY STORY sparked his interest in music as well. “I started playing guitar at age eight by learning Buddy Holly songs—most of which are the same four chords,” he recalls. “Buddy Holly for me was what punk rock seems to have been for a lot of other musicians. You don’t have to be Eric Clapton to play along with The Ramones. That’s the way it was with me and Buddy Holly’s music. My dad taught me to play his songs, and I used to make tapes in my bathroom—overdubbing my voice like I’d seen in the movies. I also drew covers for the tapes based on other album sleeves that I’d seen, and gave them to my family for birthday gifts and such.”

In his early twenties, Ullman and a handful of friends formed a short-lived folk-rock quintet called “Steve.” Songs such as “Start Anew” and “Unspoken,” both of which appear on DOG DAYS, were written during this time, and Ullman’s long-time friend, collaborator, and former Steve member Matthew Jackson designed the disc’s cover.
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