Brown Sugar

By the mid-’90s, most urban R&B had become rather predictable, working on similar combinations of soul and hip-hop, or relying on vocal theatrics on slow, seductive numbers. With his debut album, Brown Sugar, the 21-year-old D’Angelo crashed down some of those barriers. D’Angelo concentrates on classic versions of soul and R&B, but unlike most of his contemporaries, he doesn’t cut and paste older songs with hip-hop beats; instead, he attacks the forms with a hip-hop attitude, breathing new life into traditional forms. Not all of his music works — there are several songs that sound incomplete, relying more on sound than structure. But when he does have a good song — like the hit “Brown Sugar,” Smokey Robinson’s “Cruisin’,” or the bluesy “Shit, Damn, Motherfucker,” among several others — D’Angelo’s wild talents are evident. Brown Sugar might not be consistently brilliant, but it is one of the most exciting debuts of 1995, giving a good sense of how deep D’Angelo’s talents run.