Consolidated
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Consolidated – Friendly Fascism
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Biography
San Francisco, United States (1988 – present)
Consolidated was an American radical recording and performing collective, formed in in San Francisco in 1988. They were distinguished by left-leaning political activism and politically radical lyrics, as well as their innovative sonic collages which blended industrial and hip-hop styles. Adam Sherburne and Mark Pistel had been members of synthpop/dance outfit Until December. Philip Steir had drummed in the funk/rock group Shy Hands. Repudiating those bands’ sound and politics, and inspired by Public Enemy’s politics and aggressive sound collages, the trio regrouped as Consolidated.
They foregrounded their left-wing politics: pro-environment, pro-labor, pro-choice, anti-corporate, pro-animal rights, anti-drug (at least initially), critical of media exploitation of women, and concerned about rock music’s lack of political engagement.
The band released their self-titled debut EP in 1989 (they were on Nettwerk in North America and Zoth Ommog in Europe). Centered on two mixes of the industrial-rap “Consolidated!”, the EP is a statement of purpose, a foreshadowing of the bands’ ideas and politics. While embracing rap and sampling, its jerky rhythms aren’t far from late-period Devo.
Their first full-length record, The Myth of Rock, is also aggressively political, but its complex and intricate instrumental backing—recalling, at once, Tackhead, Public Enemy, late-80s sampledelica, and the brutal industrial of Test Dept.—would impress even the most conservative listeners. Sherburne does more speaking on the record than rapping or singing, but his anger and conviction come through on every track. Not as heavy-handed as it could be, this is an underrated dance record.
The band released their self-titled debut EP in 1989 (they were on Nettwerk in North America and Zoth Ommog in Europe). Centered on two mixes of the industrial-rap “Consolidated!”, the EP is a statement of purpose, a foreshadowing of the bands’ ideas and politics. While embracing rap and sampling, its jerky rhythms aren’t far from late-period Devo.
Their first full-length record, The Myth of Rock, is also aggressively political, but its complex and intricate instrumental backing—recalling, at once, Tackhead, Public Enemy, late-80s sampledelica, and the brutal industrial of Test Dept.—would impress even the most conservative listeners. Sherburne does more speaking on the record than rapping or singing, but his anger and conviction come through on every track. Not as heavy-handed as it could be, this is an underrated dance record.
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The Myth Of Rock
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Friendly Fa$cism
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Business of Punishment
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