Resurrection

Label
Relativity Records
Running length
17 tracks
Running time
57:26

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Tracklist

    Track     Duration Listeners
1 Resurrection 3:47 86,712
2 I Used To Love H.E.R. 4:39 167,731
3 Watermelon 2:38 38,206
4 Book Of Life 5:05 40,785
5 In My Own World (Check The Method) 3:31 18,823
6 Another Wasted Night With... 1:02 9,384
6 Another Wasted Nite With... 1:03 5,813
7 Nuthin' To Do 5:18 29,801
8 Communism (Dirty Version) 2:15 103
8 Communism 2:16 34,986
9 WMOE 0:33 25,945
10 This Is Me 4:54 10,585
11 Orange Pineapple Juice 3:26 29,407
12 Chapter 13 (Rich Man vs. Poor Man) 5:21 16,118
13 Maintaining 3:48 26,331
14 Sum Shit I Wrote 4:29 27,018
15 Pop's Rap 3:21 21,830

About this album

Resurrection is the second album by American rapper Common (then known as Common Sense). Released in 1994, the album received critical acclaim, but not a significant amount of mainstream attention. Resurrection was entirely produced by No I.D. (who also produced the bulk of Can I Borrow A Dollar?), and Ynot. The record was originally rated 3.5 mics in The Source in 1994. In 1998, the album was selected as one of The Source’s 100 Best Rap Albums . The album is divided into two sections; the “East Side of Stony” (tracks 1-7) and “West Side of Stony” (tracks 8-15). Stony Island Avenue is a street that runs through the South Side of Chicago, where Common was raised. The closing track, “Pop’s Rap” was the first of a series of tracks featuring spoken word and poetry by Common’s father, Lonnie “Pops” Lynn, which Common has used to close several of his albums since. Interlaced throughout the album are short interludes which form a loose narrative concerning day-to-day life on the South Sideof Chicago, where Common was raised. The closing track, “Pop’s Rap” was the first of a series of tracks featuring spoken word and poetry by Common’s father, Lonnie “Pops” Lynn, which Common has used to close several of his albums since. Interlaced throughout the album are short interludes which form a loose narrative concerning day-to-day life on the South Side.

Songs such as “Thisisme”, are full of self-assessing raps that reflect the rapper’s personal growth since 1992’s Can I Borrow A Dollar?. Likewise the crasser moments found on that LP, such as a the misogynistic “Heidi Hoe” are greatly toned down for Resurrection, and replaced by thought-provoking narratives such as “Chapter 13 (Rich Man Vs.
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