Clarence White
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Clarence White (born Clarence LeBlanc) (June 7, 1944 – July 14, 1973) was a guitar player for Nashville West, The Byrds and the Kentucky Colonels. His parents were French-Canadians from New Brunswick, Canada. The father, Eric White, Sr., played fiddle, guitar, banjo and harmonica, and his children, Roland, Eric Jr., Joanne and Clarence took up music at a young age.
The Kentucky Colonels
Born in Madawaska, Maine, the family followed relatives in 1954 to Burbank, California, and the White children eventually formed a band called the Three Little Country Boys, and soon secured a regular spot on a local radio program, and had attracted the interest of country star, Joe Maphis. In 1958 the band cut their first single, and had become well enough known to land several appearances on the Andy Griffith Show. In late 1962, the Country Boys became the Kentucky Colonels.
Despite their successes, the Colonels were having a harder time making a living playing bluegrass. The folk boom had been staggered by the british invasion in 1964, but the death blow, ironically, was dealt in mid-1965 with the release of
Mr. Tambourine Man by The Byrds and
Subterranean Homesick Blues by Bob Dylan. While they did attempt to experiment with electric instrumentation, this was only met with indifference from rock audiences and consternation from their folk and country fan base. By October of ‘65, the Colonels dissolved as an ongoing unit after playing their final show on Halloween night.
The Kentucky Colonels
Born in Madawaska, Maine, the family followed relatives in 1954 to Burbank, California, and the White children eventually formed a band called the Three Little Country Boys, and soon secured a regular spot on a local radio program, and had attracted the interest of country star, Joe Maphis. In 1958 the band cut their first single, and had become well enough known to land several appearances on the Andy Griffith Show. In late 1962, the Country Boys became the Kentucky Colonels.
Despite their successes, the Colonels were having a harder time making a living playing bluegrass. The folk boom had been staggered by the british invasion in 1964, but the death blow, ironically, was dealt in mid-1965 with the release of
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