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Christian Marclay's name should be well known to any connoisseur of experimental music. Although his use of the turntable as an instrument started in the late '70s–around the same time as the rise to prominence of the pioneer hip-hop DJs–Marclay has always seemed much more rooted in the mid-century development of "musique concrète," which is created by manipulating pre-existing sound sources (as opposed to electronic music, which is created with synthesizers). Yoshihide Otomo followed a similar path, starting with… read more

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