Carl Stalling
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Carl Stalling – (Mickey Mouse Theme Song) Minnie's Yoo Hoo
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Biography
Carl W. Stalling (November 10, 1891–November 29, 1972) was a noted composer and arranger of music for animated cartoons. He is most closely associated with the Looney Tunes shorts produced by Warner Bros, where he worked, averaging one complete score each week, for twenty-two years.
Stalling started his career as an accompanist for silent films on the piano and theater organ in Independence, Missouri. It was there that he met and befriended a young Walt Disney who was producing animated comedy shorts in the Kansas City region. Stalling composed several early cartoon scores for Walt Disney, including Plane Crazy and Gallopin’ Gaucho in 1928, (but not Steamboat Willie, Disney’s first released sound short). Early discussions with Disney about whether the animation or the musical score should come first led to Disney creating the “Silly Symphonies” series of cartoons. These cartoons allowed Stalling to create a score which Disney handed to his animators. While there, Stalling pioneered the use of “bar sheets” which allowed the musical rhythms to be sketched out simultaneously with the storyboards for the animation. He left Disney after only two years, at the same time as animator Ub Iwerks. Finding few outlets in New York, Stalling rejoined Iwerks at his own studio in California, while freelancing for Disney and others.
Stalling started his career as an accompanist for silent films on the piano and theater organ in Independence, Missouri. It was there that he met and befriended a young Walt Disney who was producing animated comedy shorts in the Kansas City region. Stalling composed several early cartoon scores for Walt Disney, including Plane Crazy and Gallopin’ Gaucho in 1928, (but not Steamboat Willie, Disney’s first released sound short). Early discussions with Disney about whether the animation or the musical score should come first led to Disney creating the “Silly Symphonies” series of cartoons. These cartoons allowed Stalling to create a score which Disney handed to his animators. While there, Stalling pioneered the use of “bar sheets” which allowed the musical rhythms to be sketched out simultaneously with the storyboards for the animation. He left Disney after only two years, at the same time as animator Ub Iwerks. Finding few outlets in New York, Stalling rejoined Iwerks at his own studio in California, while freelancing for Disney and others.
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The Carl Stalling Project: Music From Warner Bros. Cartoons 1936-1958
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The Carl Stalling Project, Volume 2: More Music From Warner Bros. Cartoons 1939-1957
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Released:
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The Carl Stalling Project, Volume 1: Music from Warner Bros. Cartoons 1936-1958
288 listeners15 tracks
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The Carl Stalling Project
249 listeners1 track
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