Bruno Coulais
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Coulais began his musical education on the violin and piano, aiming to become a composer of contemporary classical music. However, a series of acquaintances gradually re-oriented him towards film music. Coulais was particularly influenced by director François Reichenbach, who asked him in 1977 to write the soundtrack to his new documentary Mexico Magico. The first full-length production he composed the score for was the 1986 film La femme secrète by Sébastien Grall. Until the end of the 1990s, he remained low-profile, composing mainly for television. His name can often be found from TV films by Gérard Marx and Laurent Heynemann. He also composed the soundtracks for Christine Pascal’s 1992 film Le petit prince a dit, and Agnès Merlet’s Le fils du requin in 1993.
In 1994, he met the television producer Josée Dayan, who let him write a theme for the TV series La rivière Esperance, aired on the France 2 network in autumn 1995. He worked with Dayan again with other major productions such as Le comte de Monte-Cristo, Balzac, and Les nuiteux.
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Les Choristes
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Le Peuple Migrateur
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Microcosmos
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Genesis
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Recent Activity
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Klocz tagged Bruno Coulais with instrumental and classical. Wednesday afternoon
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Generator87 and Semyon_k added Bruno Coulais to their libraries. Wednesday afternoon
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Synesthesis wrote about Bruno Coulais in February 2012. Tuesday afternoon
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Acide-Cake added Bruno Coulais to Acide-Cake’s library. Monday evening
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oldschool-music tagged Bruno Coulais with ‘french’. Sunday afternoon
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oldschool-music, adalamb, WarriorLoverInc and 3 other people added Bruno Coulais to their libraries. Sunday morning
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