Britney Spears » Albums

Britney

Britney Spears
Britney

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Tracklist

    Track     Duration Listeners
1 Play I'm A Slave 4 U full track 3:22 160,663
2 Play Overprotected full track 3:17 112,894
3 Play Lonely full track 3:19 39,534
4 Play I'm Not A Girl, Not Yet A Woman full track 3:50 79,888
5 Play Boys full track 3:43 71,589
6 Play Anticipating full track 3:16 39,923
7 Play I Love Rock 'N' Roll full track 3:05 59,056
8 Play Cinderella full track 3:38 44,997
9 Play Let Me Be full track 2:50 37,163
10 Play Bombastic Love full track 3:05 41,205
11 Play That's Where You Take Me full track 3:31 32,661
12 Play What It's Like To Be Me full track 2:51 36,959
13 Play I Run Away full track 4:04 8,038
12 Play When I Found You full track 3:35 24,457
15 Overprotected (Darkchild remix radio edit) 3:07 572
16 Play I'm Not A Girl, Not Yet A Woman (Metro Remix) 5:23 715
17 Play I'm A Slave 4 U (Thunderpuss Radio Mix) 3:18 758

About this album

© Jive (2002) Released: 1 Jul 2002 18 tracks (59:14)
The title says it all — that this third album is where it’s all about Britney. Actually, the titles say it all: Britney is “PlayOverprotected,” she pleads “PlayI’m Not A Girl, Not Yet A Woman,” tries to let us all see “PlayWhat It’s Like To Be Me.” All three songs are pivotal moments on Britney Spears’ third album, the record where she strives to deepen her persona (not the same thing as her character, of course), making it more adult while still recognizably Britney. That much was evident from the selection of the first single, “PlayI’m A Slave 4 U,” a sultry Neptunes-produced salute to Prince that is so far removed from the big, glitzy Max Martin productions that are her signature that at first it sounds awkward, even wrong. As it grows, it sounds like one of her best singles — a skittering, spare funk number that is a perfect next move for her teasing, unformed sexiness. Such a departure seems to signal a full album of surprises like that, especially when teamed with the aforementioned title, but Britney isn’t that bold — after it opens with The Neptunes’ retro-future funk, it delves right back into Martin territory with “PlayOverprotected.” At first, that’s a disappointment, but then the small, yet significant, changes become apparent. Rhythmically and melodically, the whole album is sharper, tougher than what came before.
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