Brise-Glace
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Biography
Confounding expectations, Chicago’s BRISE-GLACE recall vanguard rock groups such as Can and This Heat, but speak through contemporary teeth.
Brise-Glace is a band with a strange pedigree, bringing a diverse, and at times startling vocabulary to play. This is Jim O’Rourke’s baby, his take on a “rock band”. A lot has been said about the process of building “when In Vanitas…”, maybe too much, but the process is fascinating. After recording the stuff of the songs, the band is subjected to Jim’s razor blade splice, which he wields virtuosically. The methodology may recall Holger Czukay or Faust, but Thymme Jones’ grovin’ beats and the recomposer’s fondness for radio static result in something more like a bare-knuckled brawl between John Bonham and Brian Eno. Something interesting and unidentifiable is happening at nearly every moment, and the context of how these moments relate means as much as the individual moments themselves. A dirt-clouded pool of very quiet, nearly subliminal, noise eddies for a few minutes, is taken over by Thymme’s clipped, distorted drumming and Darin’s inquisitive bass lines, then the whole resolves itself back into ripples of atonal and arrhythmic sound. A wealth of details are whistling and hissing deep within each track.
Brise-Glace don’t play it safe, deconstructing the functions of rock music, while unquestionably performing as a rock band.
Brise-Glace is a band with a strange pedigree, bringing a diverse, and at times startling vocabulary to play. This is Jim O’Rourke’s baby, his take on a “rock band”. A lot has been said about the process of building “when In Vanitas…”, maybe too much, but the process is fascinating. After recording the stuff of the songs, the band is subjected to Jim’s razor blade splice, which he wields virtuosically. The methodology may recall Holger Czukay or Faust, but Thymme Jones’ grovin’ beats and the recomposer’s fondness for radio static result in something more like a bare-knuckled brawl between John Bonham and Brian Eno. Something interesting and unidentifiable is happening at nearly every moment, and the context of how these moments relate means as much as the individual moments themselves. A dirt-clouded pool of very quiet, nearly subliminal, noise eddies for a few minutes, is taken over by Thymme’s clipped, distorted drumming and Darin’s inquisitive bass lines, then the whole resolves itself back into ripples of atonal and arrhythmic sound. A wealth of details are whistling and hissing deep within each track.
Brise-Glace don’t play it safe, deconstructing the functions of rock music, while unquestionably performing as a rock band.
Top Albums
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When In Vanitas...
967 listeners5 tracks
Released:
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When in Vanitas
165 listeners5 tracks
Released:
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In Sisters All and Felony
22 listeners2 tracks
Released:
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