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Filled With Guilt & Diamonds runs the gamut between more accessible pop songwriting and noise music that is heavily influenced by modern classical and avant-garde composition. "Painted Lady" is intricately arranged shoegaze pop and includes Nat Baldwin (Dirty Projectors) on upright bass. Its explosion of color at the end is in stark contrast to the mechanized horrors of album closers, "Sugar Bear," a voice and noise piece including Charles Cohen, and "Catch a Falling Knife," an avant-garde chamber… read more



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