Sad Eyed Lady of the Lowlands (11:20)

Cover of The Collection, Vol. 3: Blonde on Blonde/Blood on the Tracks/Infidels

From The Collection, Vol. 3: Blonde on Blonde/Blood on the Tracks/Infidels and 1 other release

“Sad-Eyed Lady of the Lowlands” is the last song on the Bob Dylan album Blonde on Blonde, which was released in 1966.

It is written as a list song that comes back to a chorus line at the end of each stanza. The song is filled almost entirely with poetic symbols, such as in the first line “with your mercury mouth / in the missionary times”.

For his Dylan biography, Bob Dylan: Behind The Shades, Take Two (2000), Clinton Heylin interviewed Blonde on Blonde drummer, Kenny Buttrey. Buttrey gave this account of the recording of the song: “He ran down a verse and a chorus and he just quit and said, ‘We’ll do a verse and then a chorus and then I’ll play my harmonica thing. Then we’ll do another verse and chorus and we’ll play some more harmonica and see how it goes from there.’…Not knowing how long this thing was going to be, we were preparing ourselves dramatically for a basic two to three minute record, because records just didn’t go over three minutes… If you notice that record, that thing after like the second chorus starts building and building like crazy, and everybody’s just peaking it up ‘cause we thought, man this is it. This is going to be the last chorus and we’ve got to put everything into it we can… After about ten minutes of this thing we’re cracking up at each other, at what we were doing. I mean, we peaked five minutes ago. Where do we go from here?”

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With your mercury mouth in the missionary times
And your eyes like smoke and your prayers like rhymes
And your silver cross, and your voice like chimes
Oh, who do they think could bury you ?

MetroLyrics Full lyrics at MetroLyrics

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  • CioffDogg

    Chord progression reminds me a whole heck of a lot of "Everybody Hurts" by R.E.M.!

    21 Apr 1:08am Reply
  • nomoresongs

    I rarely venture into Dylanology, but this really is a song that cries out for some kind of analysis, with its absolute plethora of images. But the one that strikes me the most is the "warehouse eyes", which kind of implies that Dylan believes he has a storehouse of the senses which observes so vividly it needs a warehouse to keep it (like Bowie with 'my brain hurt like a warehouse, it had no room to spare'). And is he saying that all that was only there for Sara and that's why he now has to leave it by her gate?

    16 Mar 6:34pm Reply
  • ralfsu

    The way he sings "Now you stand with your thief, you're on his parole" gives me chills. There's such... pride and confidence in it.

    6 Feb 7:58pm Reply
  • CidaDuarteF

    Adoro

    29 Jan 1:38am Reply
  • ralfsu

    I would just like to go inside this song and never return.

    2 Dec 2012 Reply
  • ralfsu

    "With your childhood flames on your midnight rug" - is that a vagina reference?

    20 Oct 2012 Reply
  • epanou

    la plus belle chanson du XX ème siècle !

    27 Aug 2012 Reply
  • APRILELIZ

    gorgeous

    13 Jul 2012 Reply
  • maphilli14

    I came here because Roger Waters from PF said this song changed his life!

    29 May 2012 Reply
  • Enokii

    Starting to really love this track

    6 May 2012 Reply
  • jokerlass

    stfu dylan!!! htf is this so f beautiful............

    25 Apr 2012 Reply
  • schmidter

    really nice........

    16 Apr 2012 Reply
  • CidaDuarteF

    I l♥ve this song!!!!!!!

    16 Apr 2012 Reply
  • Grzesiu_

    He must have really loved Sara at the time. This is just beyond words.

    9 Apr 2012 Reply
  • vanessaviola

    :''''''''''''''(

    7 Apr 2012 Reply
  • vanessaviola

    <3!!!!!!!!!!!!!!!!!!!!

    23 Mar 2012 Reply
  • vanessaviola

    jsbhshgiosheg

    23 Mar 2012 Reply
  • Watcher

    Not much you can say about this song, other than I am glad to have been on the planet when this was given to us. The essence of being human, distilled into some words and chords, this is amazing.

    18 Mar 2012 Reply
  • Grzesiu_

    Greatest love song ever. True.

    8 Mar 2012 Reply
  • ralfsu

    With your sheet-metal memory of Cannery Row, and your magazine-husband who one day just had to go, and your gentleness now, which you just can't help but show - who among them do you think would employ you ?

    27 Feb 2012 Reply
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