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Dylan’s recording features the artist solo on the acoustic guitar, playing the song fingerpicking. The song is played, in the officially released studio recording, in the key of A♭ major; Dylan probably effects this key by using a capo on the first fret and positioning his fingers as if he were playing G major. The dominant notes in the guitar part seem to be what on a piano is called “Middle C,” which in this song is the major third in the tonic chord; and the D-flat immediately above “Middle C,” which is the perfect fourth; with the top note at any point in the song rotating between these two notes. It is of note that musically this song is nearly identical to his earlier composition “Girl from the North Country.”
Lyrically, “Boots of Spanish Leather” is “a restless, forlorn ballad for the ages and sages - a classic Dylan tale of two lovers, a crossroads, and the open sea…” (Trager 80). Most critics have not found it far-fetched to say that this song was written about and maybe to Suze Rotolo, Dylan’s New York City girlfriend in the early ’60s, who in 1964 left him for Spain. Rotolo confirmed that interpretation in a 2008 NPR interview. The song is written as a dialogue, with the first six verses alternating between the man and woman; however, the last three verses are all given by the one who has been left, presumably the man (Dylan).
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