Blueneck
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Blueneck – Have Yourself a Merry Little Christmas
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Biography
Members: Duncan Attwood, Ben Paget, Johnny Horswell and Ben Green
Blueneck is a British band, but the origins of their name intersect with the histories of Canada and America.
In September 2011 Blueneck released Repetitions, their third album, on Denovali Records.
The new LP is the follow-up to 2010’s The Fallen Host (“Stunning” – Rocksound, “Fantastic… an intoxicating, all-consuming experience” – Classic Rock: Prog) and 2006’s debut Scars of the Midwest.
Though steeped in the trademark melancholy power of their former works, Repetitions resonates with new heights of emotional drama. From the butcher’s knife-edge tension of strident opener ‘Pneumothorax’, past the cocooned confessional ‘Barriers Down’, to the cathartic windswept Americana of ‘The Last Refuge’, Repetitions makes a deliberate lunge for the emotional jugular.
It’s without doubt that this red-blooded output results from Repetitions’ unusual recording process. Whereas the first two albums were constructed in Blueneck’s reclusive studio deep in the farmlands of Somerset, this time the band made the deliberate decision to head to the city. Working with producer Mat Sampson in his Bink Bonk basement studios in Bristol, a recording session started that would eventually span an 18 month period, ending in June 2011.
It wasn’t just the surroundings that needed to change. Contrary to their previous approach, this time Sampson encouraged Blueneck to minimise digital trickery. The band deliberately embraced analogue tools, acoustic instruments and live performances.
Blueneck is a British band, but the origins of their name intersect with the histories of Canada and America.
In September 2011 Blueneck released Repetitions, their third album, on Denovali Records.
The new LP is the follow-up to 2010’s The Fallen Host (“Stunning” – Rocksound, “Fantastic… an intoxicating, all-consuming experience” – Classic Rock: Prog) and 2006’s debut Scars of the Midwest.
Though steeped in the trademark melancholy power of their former works, Repetitions resonates with new heights of emotional drama. From the butcher’s knife-edge tension of strident opener ‘Pneumothorax’, past the cocooned confessional ‘Barriers Down’, to the cathartic windswept Americana of ‘The Last Refuge’, Repetitions makes a deliberate lunge for the emotional jugular.
It’s without doubt that this red-blooded output results from Repetitions’ unusual recording process. Whereas the first two albums were constructed in Blueneck’s reclusive studio deep in the farmlands of Somerset, this time the band made the deliberate decision to head to the city. Working with producer Mat Sampson in his Bink Bonk basement studios in Bristol, a recording session started that would eventually span an 18 month period, ending in June 2011.
It wasn’t just the surroundings that needed to change. Contrary to their previous approach, this time Sampson encouraged Blueneck to minimise digital trickery. The band deliberately embraced analogue tools, acoustic instruments and live performances.
Featured tracks
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Judas! Judas!
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Twelve Days (Alternate Version)
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Twelve Days
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Repetitions
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The Fallen Host
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Scars Of The Midwest
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The Fallen Host CD/2xLP
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