This is the most controversial of all Billie Holiday records. Lady Day herself said that this session (which finds her accompanied by Ray Ellis’ string orchestra) was her personal favorite, and many listeners have found her emotional versions of such songs as “I’m a Fool to Want You,” “You Don’t Know What Love Is,” “Glad to Be Unhappy,” and particularly “You’ve Changed” to be quite touching. But Holiday’s voice was essentially gone by 1958, and although not yet 43, she could have passed for 73. Ellis’ arrangements do not help, veering close to Muzak; most of this record is very difficult to listen to. Late in life, Holiday expressed the pain of life so effectively that her croaking voice had become almost unbearable to hear. There is certainly a wide range of opinion as to the value of this set. [The 1997 CD reissue adds two alternate takes of “I’m a Fool to Want You,” part of which were used for the original released rendition, plus the stereo version of “The End of a Love Affair” (only previously released in mono) and examples of Lady Day rehearsing the latter song, including a long unaccompanied stretch.]

Edited by tekkie69 on 27 Jun 2010, 19:17

Sources (view history)

Review by Scott Yanow

All user-contributed text on this page is available under the Creative Commons Attribution/Share-Alike License.
Text may also be available under the GNU Free Documentation License.

You're viewing version 2. View older versions, or discuss this wiki.

You can also view a list of all recent wiki changes.