Big Joe Williams
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Big Joe Williams – Peach orchard mama
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Big Joe Williams (born Joseph Lee Williams, October 16, 1903 - December 17, 1982) was an American blues musician and songwriter, known for his characteristic style of guitar-playing, his nine-string guitar, and his bizarre, cantankerous personality.
Born in Crawford, Mississippi, Williams performed frequently, wandering across the United States busking and playing stores, bars, alleys and work camps, as well as recording for Okeh, Bluebird Records, Delmark Records, Prestige Records and Vocalion.
He became popular with folk-blues fans. He recorded for the Trumpet, Delmark, Prestige and Vocalion labels, among others. He became a regular on the concert and coffeehouse circuits, touring Europe and Japan in the late 1960s and early 1970s and performing at major U.S. music festivals.[4]
Marc Miller described a 1965 performance in Greenwich Village:
“Sandwiched in between the two sets, perhaps as an afterthought, was the bluesman Big Joe Williams (not to be confused with the jazz and rhythm and blues singer Joe Williams who sang with Count Basie). He looked terrible. He had a big bulbous aneuristic protrusion bulging out of his forehead. He was equipped with a beat up old acoustic guitar which I think had nine strings and sundry homemade attachments and a wire hanger contraption around his neck fashioned to hold a kazoo while keeping his hands free to play the guitar. Needless to say, he was a big letdown after the folk rockers. My date and I exchanged pained looks in empathy for what was being done this Delta blues man who was ruefully out of place.
Born in Crawford, Mississippi, Williams performed frequently, wandering across the United States busking and playing stores, bars, alleys and work camps, as well as recording for Okeh, Bluebird Records, Delmark Records, Prestige Records and Vocalion.
He became popular with folk-blues fans. He recorded for the Trumpet, Delmark, Prestige and Vocalion labels, among others. He became a regular on the concert and coffeehouse circuits, touring Europe and Japan in the late 1960s and early 1970s and performing at major U.S. music festivals.[4]
Marc Miller described a 1965 performance in Greenwich Village:
“Sandwiched in between the two sets, perhaps as an afterthought, was the bluesman Big Joe Williams (not to be confused with the jazz and rhythm and blues singer Joe Williams who sang with Count Basie). He looked terrible. He had a big bulbous aneuristic protrusion bulging out of his forehead. He was equipped with a beat up old acoustic guitar which I think had nine strings and sundry homemade attachments and a wire hanger contraption around his neck fashioned to hold a kazoo while keeping his hands free to play the guitar. Needless to say, he was a big letdown after the folk rockers. My date and I exchanged pained looks in empathy for what was being done this Delta blues man who was ruefully out of place.
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Baby Please Don't Go
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These Are My Blues
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Chicago 63
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Big Joe Williams and the Stars of Mississippi Blues
24,178 listeners26 tracks
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