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This soundtrack was composed in August 1951 and was Bernard Herrmann's first soundtrack after he moved to Hollywood. Herrmann chose unusual instrumentation for the film including violin, cello, and bass (all three electric), two theremin electronic instruments (played by Dr. Samuel Hoffman and Paul Shure), two Hammond organs, a large studio electric organ, three vibraphones, two glockenspiels, two pianos, two harps, three trumpets, three trombones, and four tubas. Unusual overdubbing and tape-reversal techniques were used, as well. 20th Century Fox… read more

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