Sea Change

Universal Music Division Mercury
Release date
4 Jun 2007
Running length
12 tracks
Running time


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    Track     Duration Listeners
1 The Golden Age 4:34 252,278
2 Paper Tiger 4:35 215,728
3 Guess I'm Doing Fine 4:49 202,778
4 Lonesome Tears 5:37 192,907
5 Lost Cause 3:47 370,174
6 End Of The Day 5:03 149,523
7 It's All In Your Mind 3:05 138,634
8 Round the Bend 5:16 166,069
9 Already Dead 2:58 176,784
10 Sunday Sun 4:44 163,660
11 Little One 4:27 157,661
12 Side of the Road 3:24 154,039

About this album

Beck has always been known for his ever-changing moods — particularly since they often arrived one after another on one album, sometimes within one song — yet the shift between the neon glitz of Midnite Vultures and the lush, somber Sea Change is startling, and not just because it finds him in full-on singer/songwriter mode, abandoning all of the postmodern pranksterism of its predecessor. What’s startling about Sea Change is how it brings everything that’s run beneath the surface of Beck’s music to the forefront, as if he’s unafraid to not just reveal emotions, but to elliptically examine them in this wonderfully melancholy song cycle. If, on most albums prior to this, Beck’s music was a sonic kaleidoscope — each song shifting familiar and forgotten sounds into colorful, unpredictable combinations — this discards genre-hopping in favor of focus, and the concentration pays off gloriously, resulting in not just his best album, but one of the greatest late-night, brokenhearted albums in pop. This, as many reviews and promotional interviews have noted, is indeed a breakup album, but it’s not a bitter listen; it has a wearily beautiful sound, a comforting, consoling sadness. His words are often evocative, but not nearly as evocative as the music itself, which is rooted equally in country-rock (not alt-country), early-’70s singer/songwriterism, and baroque British psychedelia. With producer Nigel Godrich, Beck has created a warm, enveloping sound, with his acoustic guitar supported by grand string arrangements straight out of Paul Buckmaster, eerie harmonies, and gentle keyboards among other subtler touches that give this record a richness that unveils more with each listen.

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