Hello Nasty

Label
Capitol Records (New Release)
Release date
27 Apr 2004
Running length
22 tracks
Running time
69:02

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Tracklist

    Track     Duration Listeners
1 Super Disco Breakin' 2:06 129,921
2 The Move 3:35 109,773
3 Remote Control 2:58 142,747
4 Song For The Man 3:12 113,917
5 Just A Test 2:12 108,403
6 Body Movin' 5:30 177,207
7 Intergalactic (Edited) 3:50 789
8 Sneakin' Out The Hospital 2:44 110,330
9 Putting Shame In Your Game 3:36 98,093
10 Flowin' Prose 2:39 93,572
11 And Me 2:51 87,861
12 Three MC's and One DJ 2:19 91,606
13 The Grasshopper Unit (Keep Movin') 3:00 68,645
14 Song For Junior 3:48 105,673
15 I Don't Know 2:59 92,016
16 The Negotiation Limerick File 2:45 119,314
17 Electrify 2:22 85,736
18 Picture This 2:24 85,128
19 Unite 3:30 85,182
20 Dedication 2:32 78,102
21 Dr. Lee, PhD 4:49 55,283
22 Instant Death 3:21 73,963

About this album

Hello Nasty is the fifth studio album by the Beastie Boys. It was released on July 14, 1998 via Capitol Records and sold 681,000 copies in its first week, debuting at #1 on the Billboard 200 album sales chart. The album took home two awards at the 1999 Grammys, in the categories of Best Alternative Music Album and Best Rap Performance by a Duo or Group for “Intergalactic”.


Background:

Hello Nasty was released in 1998—four years after the band’s previous album, Ill Communication—and marked the addition of DMC champion Mix Master Mike to the group’s line-up.[1] “Song for Junior” features Miho Hatori on vocals, and “Dr. Lee, PhD” guest stars dub musician Lee Scratch Perry on both vocals and percussion. Hello Nasty also marked Eric Bobo’s last appearance as percussionist in the band, as well as the last time the Beastie Boys worked with a co-producer.

The title for the album was allegedly inspired by the receptionist of their NY based publicity firm Nasty Little Man who would answer the phone with the greeting “Hello Nasty”.


Critical reception:

Hello Nasty received mostly positive reviews upon release. Caroline Sullivan writing for The Guardian Review awarded the album “Pop CD Of The Week” claiming that it “fills a gap created by the current profusion of serious rock bands like Radiohead; elbowing its way up front, rip with adolescent vigour.” She went on to summarize the record as “the perfect party soundtrack by the perfect party band.
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