Down in Albion

Release date
2005
Running length
18 tracks
Running time
73:56

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Tracklist

    Track     Duration Listeners
1 Babyshambles - La Belle Et La Bete 5:04 27,328
1 Babyshambles - La Belle et la Bête 5:05 94,528
2 Babyshambles - Fuck Forever 4:39 219,279
3 Babyshambles - A'Rebours 3:23 77,156
4 Babyshambles - The 32nd of December 3:00 63,020
5 Babyshambles - Pipedown 2:37 106,479
6 Babyshambles - Sticks and Stones 4:50 44,000
6 Babyshambles - Sticks & Stones 4:51 48,614
7 Baby shambles - Killamangiro 3:13 9,840
8 Babyshambles - 8 Dead Boys 4:16 86,632
9 Baby shambles - In Love With A Feeling 2:51 6,132
10 Babyshambles - Pentonville 3:49 72,514
11 Babyshambles - What Katy Did Next 3:08 80,662
12 Babyshambles - Albion 4:04 115,029
13 Babyshambles - Back From the Dead 4:29 82,900
14 Babyshambles - Loyalty Song 3:32 80,741
15 Babyshambles - Up the Morning 5:43 70,646
16 Babyshambles - Merry Go Round 5:22 71,316

About this album

Down in Albion is the debut album by Babyshambles, Pete Doherty’s post-Libertines band.

Down in Albion was released on November 14, 2005 on Rough Trade Records, although it was leaked on to the Internet on October 19, 2005. Produced by Mick Jones, Down in Albion contains a rerecorded version of their second single “Killamangiro” as well as a reggae track, “Pentonville”. The inclusion of “Albion” is controversial among fans, due to the song’s history as a fan favorite from the days of The Libertines. Down in Albion is intended to be a concept album, telling the tale of a beauty and a beast. The album received mixed reviews on release, with some journalists feeling that it sounded “lazy”, suffered from bad production and failed to live up to the standard of Doherty’s previous material (a few of the tracks on this album made their debut on various sessions recorded by The Libertines). The first track, “La Belle et la Bête” (French for “Beauty and the Beast”), features the vocals of Doherty’s then-girlfriend Kate Moss, and “Pentonville” was written by Doherty and The General, a friend he met whilst an inmate in Pentonville Prison. The album was seen as a move away from The Libertines’ style of music. The artwork for the album was created by Doherty.
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