Journal

  • sebastian meissner interview

    5 Oct 2007, 16:08 by serial_consign

    http://serialconsign.com/images/2007/10/meissner2.jpg

    Originally posted on Serial Consign

    The creative practice of Sebastian Meissner is scattered across numerous pseudonyms and disciplines. I am a huge fan of his work as Random Inc., Autopoieses, and Klimek and I never even suspected these projects were all crafted by the same musician until 2004. I began a dialog with Meissner earlier this year when he was gracious enough to allow me to use the track "Sand" to score a short video piece. As we chatted back and forth, I learned about his photography and video (see post) and I became increasingly curious about the atmospheric and spatial qualities that run through his diverse body of work. Sebastian was kind enough to take a considerable amount of time to provide a thorough contextualization of his art and music. This conversation addresses: aesthetics, Meissner's nuanced perspective on Israel, his thoughts on sound and cities and his opinions on the evolving electronic music market in Europe. …
  • ghetto ambient

    19 Aug 2007, 18:44 by serial_consign

    http://serialconsign.com/images/2007/08/ghetto-ambient.jpg

    Klimek
    Walking in Jerusalem
    Random Inc.
    Autopoieses
    Bizz Circuits

    I've been a longtime fan of musician and artist Sebastian Meissner who releases beautiful and often unsettling ambient music under the moniker Klimek on Kompakt. I began a dialog with Sebastian when I tipped him off that I had used a Klimek track to score my Kamera Obscura project, and as we chatted back and forth I realized he was the creative force behind a number of other projects that have showed up on my radar over the years.

    Sebastian is also behind or was involved in: Bizz Circuits, Autopoieses (with Ekkehard Ehlers) and Random Inc. In addition to the Klimek material that I find so mesmerizing, the Random Inc. record Walking In Jerusalem was one of my favourite albums of 2002, and Autopoieses's locked-groove laden La Vie À Noir Transposed didn't leave my crate for two years when I was still playing records.