Arto Lindsay
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Arto Lindsay – Erotic City
Biography
Richmond, United States (1953 – present)
Arto Lindsay (born May 28, 1953, Richmond, Virginia) is an American guitarist, singer, record producer and experimental composer. He’s probably best known as a founding member of the influential no wave band DNA, though his work after DNA has been quite prolific.
He has a distinctive soft voice and an often noisy, self-taught guitar style comprised almost entirely of extended techniques, described by Brian Olewnick “studiedly naïve … sounding like the bastard child of Derek Bailey”; his guitar work is contrasted frequently with gentler, sensuous Brazilian music themes.
According to his website:
Arto Lindsay has made a lifelong habit of crossing both geographical and musical borders. Born in the United States and raised in Brazil during the heyday of that country’s pointedly eclectic tropicalia movement of the 1960s, the multi-faceted songwriter/producer/vocalist/guitarist has forged an international reputation as an artist whose work is as seductive as it is challenging. From his late ‘70s recordings of abrasive “no wave” through his acclaimed series of solo albums beginning in the late ‘90s, Lindsay has bonded rhythms and melodies from diverse cultures and genres in provocative new ways, crafting inimitable soundscapes whose impact can range from fragile pop pleasure to sheer sonic assault.
It was the 1978 four-band sampler No New York (produced by Brian Eno) which brought an early taste of international (albeit underground) notoriety to Lindsay’s first band, DNA.
He has a distinctive soft voice and an often noisy, self-taught guitar style comprised almost entirely of extended techniques, described by Brian Olewnick “studiedly naïve … sounding like the bastard child of Derek Bailey”; his guitar work is contrasted frequently with gentler, sensuous Brazilian music themes.
According to his website:
Arto Lindsay has made a lifelong habit of crossing both geographical and musical borders. Born in the United States and raised in Brazil during the heyday of that country’s pointedly eclectic tropicalia movement of the 1960s, the multi-faceted songwriter/producer/vocalist/guitarist has forged an international reputation as an artist whose work is as seductive as it is challenging. From his late ‘70s recordings of abrasive “no wave” through his acclaimed series of solo albums beginning in the late ‘90s, Lindsay has bonded rhythms and melodies from diverse cultures and genres in provocative new ways, crafting inimitable soundscapes whose impact can range from fragile pop pleasure to sheer sonic assault.
It was the 1978 four-band sampler No New York (produced by Brian Eno) which brought an early taste of international (albeit underground) notoriety to Lindsay’s first band, DNA.
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