Working in a record store and looking for inspiration anywhere he could find it, Osborne soon cottoned to the emerging sound of dubstep and, with Shackleton, began to craft strange tracks that seemed to reside at the edge of the genre. Brittle and metallic, they became celebrated alongside his Skull Disco labelmate’s equally off-kilter efforts for their otherworldly characteristics.
Edited by mightymellow_12 on 16 Sep 2011, 02:06
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