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The album comprises five individual songs played back to back and recorded in one take. Although it was the middle of November and thus very cold, the recording was made outside on a screen porch in Maryland, using three Sony MiniDisc players with Sony ECM-MS907 microphones placed strategically around the band. Ambient sound from the surrounding area was also captured and added later. The album was mixed at Avey Tare's apartment in Bushwick and later mastered with Nicolas Vernhes at… read more



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  • "Avant-garde"? Seriously?!
  • This album is so awesome, underrated indeed.
  • almost good
  • Massively underrated. Fantastic atmosphere on this album.
  • They were surely on lots of acid during the creation of this...
  • this is definitely one of the most personal albums made by this band and it's hard to see how incredible it is when you're first discovering them and realizing how much you love shit like feels and mpp
  • So good to listen when you've just woken up.
  • it's a nice album to gently fall asleep to and then wake up to the sound of a thunderstorm and someone going DEEAATHH TAAKEESS TTIIIMMMEEE
  • I thought I'd be bored, but this is one of the most captivating things I listened to in a long time. [2] Sums it up perfectly. It's such a simple set-up (especially compared with some of their practically more expansive work) but they manage to get so much out of it. Fascinating album, and without question one of their best.

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