Amplifier

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AMPLIFIER October 2011

With a sound that draws as much from post-rock’s modernity as it does from the classic space rock grooves of the past, Amplifier’s resurgence into the music scene with 2011’s ‘The Octopus’ was not just a celebratory success story of sticking it to ‘the man’, but testament to the dogged determination that drives this unique Mancunian trio ever onwards. In the near 14 years of their existence, Amplifier have suffered from more than their fair share of the kind of pitfalls that the music industry can throw at a band, defiantly stuck two fingers up to the perceived manner of doing business and set about creating their own music for themselves and their fans. For an alternative band unafraid to toy with rock conventions, it was a steadfastly punk rock way of doing their own business.

Then again, there has always been something special that sets Amplifier apart. I first crossed paths with the band within months of them forming in 1998, and even then the stand-out song of their early sets was a song called Motorhead. Not the Lemmy-penned song of the same name, but their own dizzying space/prog/metal/alternative anthem that still crops up in their live set today. A youthful display of the unyielding belief that has fired Sel Balamir, Neil Mahony and Matt Brobin (the same trio who make up Amplifier today) to the point where they can dictate their career on their own terms.
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