Amelita Galli-Curci
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Amelita Galli-Curci – Sadko - Song of India [1922]
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Amelita Galli-Curci (18 November 1882 – 26 November 1963) was an operatic coloratura soprano, one of the best regarded of the early 20th century.
She was born as Amelita Galli into an upper-middle-class family in Milan, where she studied piano in her youth. She was inspired to sing by her grandmother. Operatic composer Pietro Mascagni also encouraged Galli-Curci’s singing career. By her own choice, Galli-Curci’s singing was largely self-trained, from listening to other sopranos, reading old singing method books, and practicing piano exercises with her voice.
Galli-Curci made her operatic debut in 1906 at Trani, as Gilda in Rigoletto and she rapidly became acclaimed throughout Italy.
In 1908 she married the Marchese Luigi Curci, and added his last name to hers. They eventually divorced and in 1921 Galli-Curci married Homer Samuels, her accompanist.
She toured widely in Europe and South America. In 1915 Galli-Curci sang two performances of Lucia di Lammermoor with Enrico Caruso in Buenos Aires. These were to be her only appearances with the legendary tenor. Galli-Curci arrived in the United States in 1916 a virtual unknown. Her stay was intended to be brief, but the acclaim she received for her performance as Gilda in Rigoletto in Chicago, Illinois was so wildly enthusiastic that she accepted an offer to remain with the Chicago Opera Company. She was a member of the company through 1924. Also in 1916, Galli-Curci signed a recording contract with the Victor Talking Machine Company and recorded extensively for the company until 1930. In 1921 Galli-Curci joined the Metropolitan Opera in New York remaining with this organization until her retirement from opera in 1930.
She was born as Amelita Galli into an upper-middle-class family in Milan, where she studied piano in her youth. She was inspired to sing by her grandmother. Operatic composer Pietro Mascagni also encouraged Galli-Curci’s singing career. By her own choice, Galli-Curci’s singing was largely self-trained, from listening to other sopranos, reading old singing method books, and practicing piano exercises with her voice.
Galli-Curci made her operatic debut in 1906 at Trani, as Gilda in Rigoletto and she rapidly became acclaimed throughout Italy.
In 1908 she married the Marchese Luigi Curci, and added his last name to hers. They eventually divorced and in 1921 Galli-Curci married Homer Samuels, her accompanist.
She toured widely in Europe and South America. In 1915 Galli-Curci sang two performances of Lucia di Lammermoor with Enrico Caruso in Buenos Aires. These were to be her only appearances with the legendary tenor. Galli-Curci arrived in the United States in 1916 a virtual unknown. Her stay was intended to be brief, but the acclaim she received for her performance as Gilda in Rigoletto in Chicago, Illinois was so wildly enthusiastic that she accepted an offer to remain with the Chicago Opera Company. She was a member of the company through 1924. Also in 1916, Galli-Curci signed a recording contract with the Victor Talking Machine Company and recorded extensively for the company until 1930. In 1921 Galli-Curci joined the Metropolitan Opera in New York remaining with this organization until her retirement from opera in 1930.
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Prima Voce: Galli-Curci
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The Very Best Of
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Golden Age Coloratura
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The Art Of Galli-Curci Vol 2
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