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In the early 1990s, a resurgence of pure electronic music occurred, centered around the then-burgeoning rave and techno scenes of the world. Ambient music, in particular, experienced a renaissance of style and popularity, making a previously marginal, though useful and relevant, musical form suddenly available in many mainstream record shops.

During this heady time, and separate from the disposable trends of the day's sunny and often forgettable ambient-techno, Michael/Michel Fibe quietly released three, apparently private-pressed, CDs on his Carbon… read more

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