Alka
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Alka – Nou Sé Akiyo (feat. Omeka)
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It’s easy to transport yourself back to the genesis of electronic music—the avant-garde enclaves of San Francisco and New York and Paris—where tape loops became one more instrument in orchestras that shunned no particular sound. As a stunning technological leap, the tools of synthetic noise belonged primarily to the engineer-composers of the period, the Cages and Stockhausens.
You’d expect that as those tools became increasingly available to the masses, that electronic music as a genre would crossbreed with rock, become less cerebral, trade Zen-like focus for something muscular. Some techno aside, the opposite has happened: Cage’s anarchic stages and randomized landscapes are closer to the voluptuous walls of sound a Brooklyn noisenik would find familiar, and solo laptop auteurs like Alka (aka Bryan Michael) have shifted towards a distinctly melancholy palette and monkish process that feed into the most neoclassical temperament imaginable.
Such are the forces at work on Principles of Suffocation, a finely tuned pastel symphony that weds dub-lite beats to spacey, chiming ambience. Turn “Un-Vaccina” up all the way, and it’s an acidhead’s ideal slap-happy club mix; turn it all the way down, and he’ll be hypnotized instead by the gently whirring drones that anchor it.
You’d expect that as those tools became increasingly available to the masses, that electronic music as a genre would crossbreed with rock, become less cerebral, trade Zen-like focus for something muscular. Some techno aside, the opposite has happened: Cage’s anarchic stages and randomized landscapes are closer to the voluptuous walls of sound a Brooklyn noisenik would find familiar, and solo laptop auteurs like Alka (aka Bryan Michael) have shifted towards a distinctly melancholy palette and monkish process that feed into the most neoclassical temperament imaginable.
Such are the forces at work on Principles of Suffocation, a finely tuned pastel symphony that weds dub-lite beats to spacey, chiming ambience. Turn “Un-Vaccina” up all the way, and it’s an acidhead’s ideal slap-happy club mix; turn it all the way down, and he’ll be hypnotized instead by the gently whirring drones that anchor it.
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