Uses Rondo form where theme A consists of simple melodic movements with awkward chords (e.g. BMag7 #11)
The varied themes go off in separate tangents and in general create structures of their own until eventually the previous themes are revived at different points in the orchestra.
All instruments are at the dynamic of fortissimo until the very end (sans one piano interlude) to give every instrument absolute equality.
Concept will be revealed when album is complete.