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Add N to (X)

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(1993 – 2003)

The three humans behind the suggestive sound barrage of Add N To (X) - Barry 7, Ann Shenton and Steve Claydon - plugged in their equipment in 1993 with the intention of creating music that would be highly unconventional, profoundly evocative, and open to wild ideas. With what amounted to a political will to oppose dull and predictable use of machine as well as organic instruments, and a revulsion at the rise of coffee table electronic music, they were bound to be intriguing. What they have achieved in just over half a decade has, however, demolished all expectations and built a purposefully deranged sonic edifice on top, visible from all corners of the planet.
Over three albums and a multitude of accompanying singles, videos and world tours, they have established a body of work edgier, ruder, more extrovert and coherently schizoid than any other functioning band. Their dirty and joyful beat noise, sinister analog-ola and robo-dada diskorganisation has excavated an underground city of possibilities. On and off record they’ve proved themselves to be the least culturally pre-set of all bands with an inspired co-mingling of dildos and theramins, kick drums and punch ups, triggering finches and speaker distending dissension.

If all Add N To (X) music onwards from their NME championed debut singles in 1997 sounded as if the synthesisers had been given as much input as the humans (assuming the synths were of a horny and unstable seditionary inclination) the third album, 2000’s acclaimed “Add Insult To Injury” indicated that the compromise did not always have to be fractious.
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