21:03

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Teen idols come and go. They have the looks, the hits, and the adoring fan base to propel them to superstardom, but it’s all a man-made illusion: As soon as the music fades and the machine behind them ceases to operate, they quickly die out, their lifespan reduced by the sinking sand on which they’re built.

Then there’s 21:03. Unlike the scores of teenage heartthrobs before them, the group is cut from an entirely different mold. Total Attention, their head-turning second album, proves that their rise to the top rungs of faith-based R&B wasn’t manufactured, but a direct result of their rock-solid foundation and exponential growth as artists, performers, and ministers.

When 21:03 first hit the urban gospel scene with its watershed debut, PAJAM Presents Twenty One O’ Three, they were slowly finding their voice and place in an already cluttered marketplace. With Total Attention, the trio cements its identity, assuring the world they’re not a flash in the pan. They’re here to stay.

Things were rough at first. Handpicked by production supergroup PAJAM from hundreds of candidates during a casting call in their native Detroit , then-hopefuls Evin Martin, Torrence Greene, and Jor’el Quinn were three strangers chosen on the basis of their faith, as well as their singing and dancing abilities.

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