槇原敬之
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Macky burst on to the J-Pop scene in the early 90’s, making a huge name for himself with monster hits such as “Mou Koi Nante Shinai” (もう恋なんてしない) and “Donna Toki Mo” (どんなときも。). One could arguably compare him to Western pop stars such as Elton John, both in terms of musical ability and talent, and continued longevity despite playing to an intensely fickle industry. The two also seem to have shared something of a similar career path in terms of personal ups and downs, public scrutiny and survival through the years in spite of it all.
Makihara has managed to endure and maintain a healthy level of popularity in Japan and other nations worldwide, due to his soothing, appealing voice quality and flair for catchy melody. Not just your average manufactured pop star, real talent can be found in Macky’s work to this day.
It’s interesting to note how, as the years have passed, the quality of Makihara’s voice has deepened, bringing him into a soulful, velvety range that might remind one of Barry White or Luther Van Dross. Much of his music’s lyrical content has revolved around the subject of romantic love, though themes of profound joy, reminiscence, gratitude and deeper spiritual aspects of the human condition have become predominant in recent years.
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Videos
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- 林檎の花
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Love Letter - ~PLAY for PRAY~'
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世界に一つだけの花 - ~PLAY for PRAY~'09
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どんなときも。- ~PLAY for PRAY~'09
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