川原正美とエキゾティック・サウンズ
524 plays
(44 listeners)
A new installment in Tiliqua records’ ongoing Oriental Erotic
Sunshine series is this long forgotten disc by Masami Kuwahara
& The Exotic Sounds, resurrecting another aspect of the sub-
cultural sexual contaminated fumes that intoxicated the late
sixties and early seventies underbelly of swinging Tokyo.
Originally released by Columbia Records on March 1970, Kokotsu
/ Ecstasy is here re-released for the first time. Sonic-wise,
the disc unleashes a whirlpool of Latin styled mondo -
sexploitation sounds that get spiced up with feminine
breathing and respiration sounds, moaning and hissing,
igniting a maelstrom of assorted eroticism and sexual
depravity. In all, it resembles a caged vixen engaged in
sexual intercourse, hatching out cries, moans, sighs, words
and other sounds such as the crackling of a whip and such,
bringing out fully every possible sound made by a ballbuster
in heat.
The name of Kuwahara Masami may be an unfamiliar one but he
was the person responsible for giving Ike Reiko her distinct
sound on the record Kokotsu no Sekai, for which he provided
the musical backbone and arrangements unto which Ike could
utter her depraved songs. The album Kokotsu / Ecstasy however
was recorded slightly before his engagement with Ike Reiko
but, just as Kokotsu no Sekai, it’s erotic presence flutters
across a multitude of erogenous non-verbal modes - moaning and
uttered shrieks of ecstatic pleasure, sibilating suffocated
Sunshine series is this long forgotten disc by Masami Kuwahara
& The Exotic Sounds, resurrecting another aspect of the sub-
cultural sexual contaminated fumes that intoxicated the late
sixties and early seventies underbelly of swinging Tokyo.
Originally released by Columbia Records on March 1970, Kokotsu
/ Ecstasy is here re-released for the first time. Sonic-wise,
the disc unleashes a whirlpool of Latin styled mondo -
sexploitation sounds that get spiced up with feminine
breathing and respiration sounds, moaning and hissing,
igniting a maelstrom of assorted eroticism and sexual
depravity. In all, it resembles a caged vixen engaged in
sexual intercourse, hatching out cries, moans, sighs, words
and other sounds such as the crackling of a whip and such,
bringing out fully every possible sound made by a ballbuster
in heat.
The name of Kuwahara Masami may be an unfamiliar one but he
was the person responsible for giving Ike Reiko her distinct
sound on the record Kokotsu no Sekai, for which he provided
the musical backbone and arrangements unto which Ike could
utter her depraved songs. The album Kokotsu / Ecstasy however
was recorded slightly before his engagement with Ike Reiko
but, just as Kokotsu no Sekai, it’s erotic presence flutters
across a multitude of erogenous non-verbal modes - moaning and
uttered shrieks of ecstatic pleasure, sibilating suffocated
