Дмитрий Дмитриевич Шостакович
20,762 plays (957 listeners)
St Petersburg, Russia (1906 – 1975)
After a period influenced by Prokofiev and Stravinsky (Symphony No. 1), Shostakovich switched to modernism (Symphony No. 2 and The Nose) before developing a hybrid of styles with the opera “Lady Macbeth of the Mtsensk District” and the ill-fated Fourth Symphony. This hybrid style ranged from the neo-classical (with Stravinskian influences) to the post-romantic music (with Mahlerian influences). His unique approach to tonality involved the use of modal scales and some astringent neo-classical harmonies à la Hindemith and Prokofiev. His music frequently includes sharp contrasts and elements of the grotesque.
Shostakovich prided himself on his orchestration, which is clear, economical, and well-projected. This aspect of Shostakovich’s technique owes more to Gustav Mahler than Rimsky-Korsakov. His greatest works are generally considered to be his symphonies and string quartets, fifteen of each. His works for piano include 2 piano sonatas, an early set of preludes, and a later set of 24 preludes and fugues. Other works include two operas, six concertos, and a substantial quantity of film music.
Shostakovich had a complex and difficult relationship with the Soviet government, suffering two official denunciations of his music, in 1936 and 1948, and the periodic banning of his work.
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