Possibly the one piece that influenced me above all others is this one, The Girl With the Sun in Her Hair, which was written to advertise Sunsilk shampoo on television.
I think the Trail of Dead boys have given us the best album of their career. As much loved and wroughtly worked previous albums were, this one, which was pulled together in next to no time, has all the magic.
For me, the magic peaks in this single, Summer of All Dead Souls, originally released last November.
My recommendation this week isn't as obscure as it looks. Ben Ottewell is one of the vocalists with Gomez, he's the gravel-voiced one. The band are still together, this is his solo debut, five years in the making. The track I have chosen is the lead single, Lightbulbs.
Somehow, I have managed not to write about Ladytron yet. I can now correct this glaring omission by introducing the new single and video from the forthcoming retrospective, due at the end of the month.
My new obsession. A band that brings together hard rock, trip hop, jazz, dance and soul to name just a few. This week's recommendation is the lead single, released last November.
Characterised by melty shoegaze swoons, surfy garage and Cocteau Twins pedal board, this catchy track shimmers whilst it bounces, slipping and sliding along the way. It is the only one on the album to have this treatment, making it memorable and moreish. The video, frustratingly, is only an edit. There isn't a full video for this track yet.
Yosemite Theme is, like all their work, relentlessly upbeat and hyper, taking on a sophistication The Go! Team have yet to fully explore. It ends on schoolground chants which are kind of by-the-by, reminding you who you're listening to.
Mondo Amore is an album that works as a whole. Picking out tracks to highlight is difficult, like pulling out a feeling. For the purposes of this series, I've chosen the third track, Hotel Plaster, but it hasn't been an easy task.
Blackout begins with an ethereal shimmer before the curtain goes up and the song bolts forwards. The beat sets a relentless, galloping pace as Calvi's vocals are allowed free rein. It's so atypical of contemporary pop, it holds you in its thrall throughout, leaving you a little spent come the end, itself as abrupt as the beginning.
Oblivious to hype as ever, when I first heard this track and then the album, I thought I was listening to an original soundtrack. This track in particular, The World, has end credits written all over it.
I first wrote about CocknBullKid in August 2009, catching her near enough at the start of her career. She released several tracks under her former name, thecocknbullkid.
Something for late summer/start of autumn, when lazy, hazy days of lost afternoons are still to be had and there's another wear or two of those summer dresses.
John Barry – The Girl With The Sun In Her Hair : Reco of the Week 01 Feb 11